The soundtrack music is an uncredited edit of three tunes on Brian Bennett's album Counterpoint In Rhythm: Finesse, Quicksilver, and Chateau Latour. It received an Academy Award nomination for Best Animated Short Film, becoming the first CGI film nominated for an Academy Award. The short was the first work of animation to use procedural animation, the software written by Eben Ostby. is regarded as a breakthrough in the animation industry as a whole, changing traditionalists' interpretation of computer animation. finished playing, the audience had already risen in applause. The film was finished in time for it to be shown at SIGGRAPH. Ultimately, the film took four and a half months to be completed. Catmull and Lasseter worked around the clock, and Lasseter even took a sleeping bag into work and slept under his desk, ready to work early the next morning. Lasseter applied the classic animation principles popularized by Disney's Nine Old Men to convey the lamps' emotions. In animation, the film demonstrates the use of shadow maps within the rendering software.
Lasseter worked to improve the story within the allotted two minutes. The film would come from his experiments with modeling his Luxo lamp. Lasseter aimed to finish the short film for the 1986 SIGGRAPH, an annual computer graphics conference attended by thousands of industry professionals.
The film is the source of Luxo Jr., the mascot of Pixar. was Pixar's first animation after Ed Catmull and John Lasseter left Industrial Light & Magic's computer division of Cinetron Computer Systems. plays exuberantly with a ball that it accidentally deflates. The larger lamp, named Luxo Sr., looks on while the smaller, "younger" Luxo Jr. Written and directed by John Lasseter, the two-minute short film revolves around one larger and one smaller desk lamp. is a 1986 American computer-animated short film produced and released by Pixar in 1986.
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